“情感论”美学思想对肖邦音乐的影响
On the Influence of Aesthetics of Feeling on Chopin’ Music

摘要 “情感论”音乐美学思想从古希腊至19世纪有一条清晰的发展脉络，到黑格尔提出“精神内容就是艺术根本之所在”，“情感论”音乐美学理论在黑格尔那里达到了一个崭新的高峰。肖邦作为浪漫主义音乐的创造者之一，在有关音乐的情感内容上，可谓几乎全盘接受了黑格尔的理论主张，其艺术风格从“感伤悲情性”到“内在戏剧性”的嬗变，无不浸透着他的独特情感体验。肖邦是“情感论”音乐美学思想的伟大实践者。
Abstract：The Aesthetics of Feeling followed a clear developing clue from ancient Greek period to the 19th century. And from Hegel to the peak， Hegel’s idealist philosophy view had become the most important leading spirit， which means “spiritual content is where art lies”. Chopin almost completely accepted Hegel’s theory on the question about music’s emotional content and its subjectivity issue. His artistic style， which transferred from “mawkishness and pathos” to “intrinsic dramatic”， was influenced by the unique subjective emotional experience of Chopin.