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- 2017
《左传》富艳说发覆
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Abstract:
《左传》乃经学之一种,又为史学、文学的典范。从批评史的视野来看,对《左传》的批评,事实上已经形成了一个独特的文学批评系统,一些概念、范畴、命题而有了广泛的文学批评史意义。范宁以“富艳”而论《左传》,提要勾玄,堪称允当。《左传》合经学、史学、文学为一体,因而富艳内涵丰溢,涵盖义旨之精微丰厚,义法之高妙、内容之丰富生动以及结构之整饬迭宕、叙事之深婉、语言之奇异、艺术之华美,以及由此而形成的强烈艺术感染力。《左传》之富艳,乃为情而造文,其经学的本色和思想底蕴,成就了堪称伟大之文学。文章申而论之,以期有所发覆,彰显这一范畴的意蕴,有裨益于文学批评及《左传》之研究。
Zuo Zhuan is one of the Study of Confucian Classics,it is also the apotheosis of historiography and literary.On the view of criticism,in fact,the criticism about Zuo Zhuan already comes into being which is a particular system of history of literary criticism.Some concept,category and proposition have comprehensive meanings.Fan Ning discussed Fuyan about Zuo Zhuan,that grasped the important meaning.Zuo Zhuan inosculates Confucian classics studies,historiography and literature as a whole,thus the meaning of Fuyan is very abundant,such as profound and generous,ingenious method,exuberant content,deep and beautiful narration,singularity language and gaudiness art.Fuayan is based on the deep passion.The article displays the meaning and besteads the literary criticism and the study of Zuo Zhuan.