谭觉园《觉园词话》词学思想探论
On the Thoughts of Jue Yuan’s Works of Notes and Comments on Ci-poetry

谭觉园的《觉园词话》，在词之起源、体制、创作、声律、正变之论等方面都有着独特的见解。在词体起源论上，它将词之起源框定于中晚唐时期。在词之本质论上，主张以情为本，强调情感表现为词的第一要义。在词之创作论上，标树十六字诀，全面简洁地对词的艺术表现提出了要求。在词之声律论上，以维护词之本色为目的，细致论说了词的声调用韵等方面内容，廓清了本末轻重，提出了不少新的主张。在词之正变论上，则体现出甚为平正的批评观念。谭觉园的词学思想，内涵丰富，特色鲜明，在我国传统词学批评史上有着重要的价值及独特的地位。
In Jue Yuan’s Works of Notes and Comments on Ci-poetry, there are unique opinions, in the Ci-poetry of the origin, structure, creation, rhythm and changes. On the criticism of the origin of Ci-poetry, it sets the origin of Ci-poetry in the middle and late Tang Dynasty. On the essence of Ci-poetry, it advocates emotion, emphasizing emotional expressions as the first meaning of Ci-poetry. On the criticism of the creation of Ci-poetry, the “sixteen words” marked the requirements of the artistic expression of Ci-poetry in a comprehensive and concise way. On the criticism of the rules governing the rhythm of words, in order to maintain the inherent qualities of Ci-poetry, it elaborated the Ci-poetry's rhyme tone and other aspects, clarified the ins and outs of the severity, put forward many new ideas. In the Ci-poetry of direct variation, it reflects the very fair concept of criticism. Tan Jueyuan’s thought of Ci-poetry is rich in connotation and distinctive in character, it has important value and unique position in the history of Chinese traditional Ci-poetry criticism.