生态批评视角下的《兽之奏者》
Decoding The Beast Player from an Ecocritical Perspective

从生态批评角度切入，研究2014年国际安徒生奖得主、日本儿童文学作家上桥菜穗子的代表作《兽之奏者》系列，分别从万物平等的生态思想、对王兽主体性的强调、对工具化生态理念的批判及对出路的思考方面，辨析了作者的生态观，指出只有倾听世间各种生命的声音，达成与它们的对话，才是人类给自己寻找未来出路，建立与自然和谐相处的环境友好型社会的一个切实可行的方案。
NahokoUehashi, the representative of the Japanese children′s literature, won the Hans Christian Andersen Award in 2014 by the series of The Beast Player. From the point of ecocriticism, this paper analyses the ecological view of the author from the aspects which include the ecological thought of universal equality, the subjectivity of Ouju, the criticism of ecological instrumentalization and the thinking on outlet, and then points out that only human being listen to all voices from the life living in the universe to form conversations with them can human being find their own feasible solutions in the future to establishing an environmental friendly society