日常审美语境下人民性文艺符号建设研究
The Research on Reconstruction of Signs about People in Literature in Context of Modern Daily Aesthetics

指出在现代审美语境中，主体的审美感知不再囿于特定语境，而是扩散至生活领域的方方面面，出现了审美客体与日常生活对象的交融与混杂；在此新语境中，以往特定审美环境中主体的感知就随即发生了变化，具体表现为主体逐渐对于美学感知丧失敏感度，出现审美疲劳与审美麻痹；文艺人民性作为文艺创作的核心也因此而受到了冲击，包括了自身的符号体系的能指的陈旧与泛滥、所指的内容陈旧与语境的固化这三个方面；为了确保这一主题在当下文艺创作中的坚持与贯彻，就需要从此三个方面入手予以发展改变，以避免文艺人民性的符号在当下语境中的失效，无力激发主体的审美感知，影响文艺作品的人民性。
In context of modern aesthetic, the activity of aesthetic is not constrained traditional context, which actually expends to all aspects of daily life. In this phenomenon, common daily objects can be considered as aesthetic objects. This great change produces a new kind of aesthetic experience, daily aesthetics. Subject, in this new context, has become tired and anaesthetization, lose his sensation，which, as a result, impact on holding the idea of people in literature in three ways: abusing of signifier, outmoded signified and stabilization of context. So we should make some changes on these ways in order to hold and realization the principle of people-theme in literature, otherwise the system of people′s signs will face its destruct, not invoke our aesthetic sensation and, finally, negatively affect the expression of people principle in literature