龙舞在中国传统哲学视域中的审美特征
Dragon dance aesthetic characteristics in Chinese traditional philosophy view

中国传统哲学的“天人观”、“虚实观”、“气韵观”对中国龙舞文化产生了深远的影响。龙舞的发生发展在本质上可视作中国哲学思想最生动、最直接的形象表达。对中国龙舞的关注不应仅停留于舞龙过程的呈现，还需聚焦这些物化形式后丰富的精神蕴涵和独特的思维方式。文章以中国龙舞的重要代表——“铜梁龙舞”为切入点，试从中国传统哲学观的角度关照这一享有“中华第一龙”美誉的龙舞样式，以揭示龙舞艺术所积淀的民族审美特征与文化精神。
Concept of “heaven and man”, “emptiness and fullness”, “artistically view” in Chinese traditional philosophy has a very profound influence on Chinese Dragon Dance. Virtually, the development of Dragon Dance can be considered as the most vivid and direct expression for Chinese philosophy. Not only should we pay close attention to the process of Dragon Dance, but also the spiritual connotation and unique prospective behind the materialized form. This article addresses the most important representation of Chinese Dragon Dance: Tongliang Dragon Dance, attempting to dissect this so called “The best Dragon in China” from the traditional Chinese philosophy perspective, in order to reveal the national characteristics and ethos contended by the art form of Dragon Dance.