西方近现代诗歌史上的“戏剧化”诗学
The Dramatic Poetics in the History of Western Modern Poetry

西方诗学中的“戏剧”美学传统，深刻影响了近现代以来的抒情文学，赫兹利特、勃朗宁、叶芝、庞德、艾略特和布鲁克斯等英美新批评诗家都从不同角度论述了抒情诗的“戏剧化”，主要集中体现于两个方面：一是抒情诗主体“角色”化、“面具”化，间离自我或走向他者；二是吸收“对立”“冲突”等“戏剧性”美学精神，使抒情诗歌充满互相矛盾和异质的经验和情思。这些都旨在丰富后起建立的正统“抒情诗”理念。
The tradition of drama aesthetics in Western poetics has deeply influenced lyric literature since modern times. Anglo-American new critics, such as Herzliott, Browning, Yeats, Pound, Elliot and Brooks, discussed the dramatization of lyrics from different perspectives, which is mainly embodied in two aspects. One is characterizing or masquerading of lyrical subject, separating from the ego and going to others. The other is absorbing dramatic spirit such as 'contradiction' and 'conflict', which makes lyrics full of heterogeneous and conflicting experience and emotions. All these are aimed at enriching the idea of lyrics which was established later