从语言分析哲学理解图像的三种向度:论罗素的图像意识
Bertrand Russell's Image Consciousness: Three Dimensions of Image from the Perspective of Analytic Philosophy of Language

罗素作为西方语言分析哲学的代表性人物之一，他所提出的“逻辑原子论”等哲学思想，为理解图像意识提供了全新的向度。罗素从语言分析哲学的逻辑理解图像意识，主要有三种向度：一是从经验出发，逻辑在图像意识中必然有所体现，但逻辑并不是图像之所以成立的唯一法则，而是为图像的成立与理解提供多种可能性；二是从共相与殊相出发，逻辑语言与艺术语言的差异为人们理解图像中的最小视觉单元提供了帮助；三是从意义出发，语词意义与意象意义的联系与区别揭示了语词意义产生中图像意识的作用，为人们理解语言表意与图像表意之间的区别提供了帮助。罗素与弗雷格、维特根斯坦一起，共同形成了西方关于图像意识的语言分析哲学传统，对学界探究图像艺术问题具有重要的学理价值。
Bertrand Russell, considered as one of the founders of analytic philosophy, put forward an ontology of logical atomism that provides three new perspectives to interpret image consciousness. First, logic is embodied in an image empirically, however, an image is built not simply by logic but logic plays a role in image completion and interpretation. Second, from the perspective of identity and differentia, the difference between logic language and artistic helps better interpret the smallest visual cell of an image. Third, from the perspective of meaning, the correlation and differentiation of linguistic meaning and imagery meaning reveals the function of image consciousness in the formation of language meaning, which helps understand the difference between language interpretation and image interpretation. Along with Gottlob Frege and Ludwig Wittgenstein, they are the founders of image consciousness and analytic philosophy theories that offer guidance for academics to explore artistic problems