论词体声律学的建构及其意义

词体声律既受词乐的制约、包含音律的映射，又继承、发展了诗文格律而富于汉语言的内在音乐性。词体声律学即有关词体声律的学问或学科，包括词乐、词调、词律、词韵、词唱法研究等版块。与词律、格律、声调等习用概念相比，词体声律更符合词体体制的复杂性和特殊性，也更符合词体发展的历史轨迹。词体声律学的建构，具有修正词体学理论体系，统合词体研究文献，推动词学研究回归文本、面向当代等多方面意义。
Shengül 声 律 of ci poems is ruled by not only its musical tonality but also classical literary rhythm.The studies on the shenglü system of the ci poetry should cover such factors as melody，meter，rhythm andsinging method. In comparison with such common concepts as ciül 词律（literally rhythm and meter of the cipoetry） and shengdiao 声调（literally the tonality of the ci poetry），the concept of shengül is more historicallysuitable for the complexity and particularity of ci genre. The construction of shengül studies as a research fieldcan help improve the theoretical system of the research on ci poetry；integrate the literature on ci studies；andenable the research to return to the text of ci poetry itself and address the problems facing the present time