创伤性记忆的自我隔离和审美表达――唐宋词战争灾难叙事的特殊模式

与诗体相比，唐宋词对战争灾难的叙事具有特殊性。作为受难者的词人，对惨痛的灾难记忆往往采取忽略细节和视角转换的方式，来隔离创伤性记忆带来的痛苦。同时，词委婉含蓄的文体风格也在很大程度上排斥具有伤害性且有损审美性的场景描写。出于自我保护本能的应激心理与更高层次的审美心理共同作用，形成了唐宋词对战争灾难的特殊叙事方式。
Compared with jue ju（ four-line poems） and ül shi（ eight-line poems），ci poetry of Tang andSong dynasties shows its particularity in the narrative of the war disasters. Victims of wars as they were，the cipoets usually chose to avoid the details of war memories or to look at the traumas from a different perspectivein their works so that they could insulate themselves from the pain caused by the traumatic memories. At thesame time，the euphemistic and implicit style featuring the ci poems at that period also made it impossible to alarge extent for them to directly describe brutal scenes of the wars，which would damage the aesthetic nature ofci poems. The combination of pursuing self protection psychologically and making achievements aestheticallyshaped the unique mode of narrating the wars in the ci poems of Tang and Song dynasties