中国电影对戏曲情节的选择与运用

影像时代，传统戏曲与中国电影的结合往往是戏曲元素与电影的结合，其中戏曲情节是重要的一个方面。戏曲情节在电影中的功能主要体现为参与叙事与塑造人物，而电影从叙事角度对戏曲情节的选择与运用，则彰显了电影创作者出于戏剧化效果的营造和悲剧意识挪借的需求而对戏曲情节有选择的吸收，以及作为情绪表达、地域或时代特色的需求而对戏曲情节的改良性运用。通过对戏曲情节与电影的结合实践的得失分析，我们可以获得今后戏曲与电影发展的启示。
In the era of image，the combination of Chinese opera and Chinese film is often conducted in thisform：the latter adopts the elements and in particular the plot of the former. The function of opera plot in thefilm is mainly embodied in its narrative and characterization. The selection and use of opera plot shows howthe film directors select and use the opera elements to create a dramatic atmosphere and introduce into the filma sense of tragedy. The adaptation and use of the opera elements also indicate the directors’ needs to expressfeelings and highlight the local and temporal characteristics in their works. The analysis of the practice of theintegration between opera and film has significant implications for the development of Chinese opera and filmin the future