论扬雄与汉大赋的转向

扬雄效相如作赋,并《太玄》《法言》之作,反映为学问与文章的通合。他少而好学,见召后观书、校书的经历与时代的崇学氛围成就其以学者垂范后世。其前诸王养士,为上宽容爱才,大赋之制,假设问对,凭虚铺陈,恢廓声势。自扬雄以“学者型文人”为赋,则以事实为本,议论为用,征引《诗》《书》,虽具体铺陈仍有凭虚,但总体框架业已征实。这对于后来的大赋创作具有深远影响。
Abstract：Yang Xiong received the influence from Sima Xiangru in his fu writings. His works such as “Taixuan” and “Fayan” reflected the combination of learning and essay composition. Being well-educated even in his youth, Yang was recruited by the court. In the learning-adored atmosphere of that era, his experiences of extensive reading and editing work had set up his historical position and fame. Before that the style of da fu was featured with polished elaboration, grand narrative and fictional writing. The scholar-literati style of fu began with Yang’s efforts that it was created on facts with critical mind, the contents of The Poetry and The Four Books largely quoted, the general frame based on facts in spite of a few fictional narrations.