从女性主义角度看哈罗德•品特的《背叛》
Analysis of Harold Pinter’s Betrayal from a Feminism Perspective

DOI: 10.12677/WLS.2015.33013, PP. 83-87

Keywords: 品特，背叛，女性主义
Pinter, Betrayal, Feminism

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Abstract:

作为荒诞派戏剧的创作大师，哈罗德？品特在其作品里塑造了许许多多“荒诞”的人物形象，特别是他作品中的女性形象，显得尤为“荒诞”。《背叛》中的爱玛就是这样一个女性，体现了品特的女性主义思想。本文从三个方面解读这部戏剧：道德的反叛者和自我的扩张者，不为世俗眼中的“好女人”和跨越父权制的藩篱。
As the great master of “Theatre of the Absurd”, Harold Pinter had shaped a lot of “absurd” images, especially the female images in his works which seem to be much more “absurd”. Emma in Betrayal is such a kind of girl which reflects Pinter’s feminism thought. And this paper will interpret this play in three aspects: the rebel of moral and the expansionist of herself, never being the secular “good woman” and breaking patriarchal hedge.

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