“Yo iba a Auschwitz pero ya no”. El comprador de aniversarios de Adolfo García Ortega y las posibilidades de acercarnos a la Historia desde la (meta)ficción “Yo iba a Auschwitz pero ya no”. El comprador de aniversarios de Adolfo García Ortega y las posibilidades de acercarnos a la Historia desde la (meta)ficción “Yo iba a Auschwitz pero ya no”. El comprador de aniversarios de Adolfo García Ortega

Several theories on the Postmodernity have denied the absolute speeches that were establishing the Occidental Civilization. This way, the same History and his its traditional relation with novel is being questioned and there arise voices that claim the possibilities of the fiction to speak about the reality. Already, they will not do this from the veracity of the historical information but from the "ethics"; it is the Postmodern Realism. El comprador de aniversarios de Adolfo García Ortega takes part of these poetics recovering the real and literary figure of Hurbinek, a child murdered in Auschvitz, to whom he plays at creating futures -anniversaries- as a way of social and historical denunciation. The novel presents this way a particular and postmodern use of the classic metaficción, antagonist of the mímesis, cornerstone of the traditional realism. Keywords: Posmodernity, realism, fiction, History, metafiction, Shoah. Varias teorías sobre la Postmodernidad han levantado la veda sobre los discursos absolutos que cimentaban la Civilización Occidental. Así la misma Historia y su relación tradicional con la novela es puesta en entredicho y surgen voces que reclaman las posibilidades de la ficción para hablar de la realidad. Esto no lo harán ya desde la veracidad del dato histórico sino desde la “ética”; es el Realismo Postmoderno. El comprador de aniversarios de Adolfo García Ortega participa de esta poética recuperando la figura real y literaria de Hurbinek, un ni o asesinado en Auschvitz, al que juega a crearle futuros –aniversarios- como un medio de denuncia sociohistórica. La novela presenta así un particular y posmoderno uso de la metaficción clásica antagonista de la mímesis, piedra angular del realismo tradicional. Palabras clave: Posmodernidad, realismo, ficción, Historia, metaficción, Shoah. Several theories on the Postmodernity have denied the absolute speeches that were establishing the Occidental Civilization. This way, the same History and his its traditional relation with novel is being questioned and there arise voices that claim the possibilities of the fiction to speak about the reality. Already, they will not do this from the veracity of the historical information but from the "ethics"; it is the Postmodern Realism. El comprador de aniversarios de Adolfo García Ortega takes part of these poetics recovering the real and literary figure of Hurbinek, a child murdered in Auschvitz, to whom he plays at creating futures -anniversaries- as a way of social and historical denunciation. The novel presents this way a particular and postmodern use of