“Masculin Fèminin” sob as lentes de Clio

Through analysis of the movie "MasculinFéminin", this article aims to reflect on the intricateability that cinematographic language contains initself to construct and deconstruct discourses, tounderline behavioral models, human types, subjectiveconditions of being and living. In particular, we willfocus in the gender relations, that appear in the movie,from images and dialogues cuts and discontinuousrhythms.