Nietzsche's Thinking in Relationship with the Aesthetical

This paper debates the new theories on philosophical and aesthetical discourse, by applying them to Nietzsche s thinking on art. The article consists in four general subjects, each of them focussing on an essential part of Nietzsche s special relationship to art: 1) Art generated by the philosophical text itself, through the form of the fragment; 2) The artistic relationship as an interdisciplinary ground for the philosophical knowledge of the world (especially applied in Nietzsche s and Schopenhauer s work); 3) A critical debate on Wolfgang Welsch s theory about the interdisciplinary aspects of the philosophical and aesthetical discourse; 4) The backgrounds of Nietzsche s aesthetical project explained in Claus Zittel s theory on Nietzsche s aesthetic turn . Thus, Nietzsche s thinking is defined as a relationist project, the self-destruction dynamic of his aesthetical perspectivism.