Um imaginário da reden o: sujeito e história no documentário musical

From the perspective of the strengthening of musical documentaries, interms of the increase of these films productions and the audience rates, we identify tworecurrent discursive patterns which validate these narratives. We analyse the ways in whichsocial representations reverberate throughout the biographic construction of the subjectsand the reinscription of historical events in the documentaries: Simonal – ninguém sabe oduro que eu dei, O homem que engarrafava nuvens, Dzi Croquettes e Uma noite em 67.