Introducir el disenso. Relación entre arte y ecología en Ser creciente

Introducing dissensus is a journey across the motivations of the work named Ser creciente (Being Flood). The work is an in situ intervention by Eulalia De Valdenebro in the limit between a native forest and a industrially cultivated one that had recently being harvested. The text includes a political statement that reflects on the position of art towards ecology. The paper digs into the very conception of nature that we share as part of the cultural consensus that we endorse. The essay explores the Precarious Power of Drawing, as other important motive of the work, it invites the reader to make a journey from classical representative drawing to a tactile-immanentkind of drawing. It is tactile-immanent drawing that allows the artist to take a step into sculpture as she inscribes Ser Creciente (Being Flood) in the tradition of land art.