Tautin reprezentacija Vladimiro Dubeneckio steigiamojo seimo interjere (1924 m.) National Representation in the Constituent Seimas (Parliament) Interior by Vladimir Dubenecky (1924)

Rus kilm s dailininkas, architektas, pedagogas Vladimiras Dubeneckis (1888–1932) gerai inomas Lietuvoje d l vertingo architektūrinio palikimo, kur sukūr mūs kra tui gyvendamas ir dirbdamas Kaune 1919–1932 m. Straipsnio tikslas aptarti ma iau inom V. Dubeneckio kūrybos pus – visuomenini patalp interjerus. Iki iol ma ai nagrin ta tema leis prapl sti po iūr inomo architekto kūryb , kartu suteiks papildomos med iagos Lietuvos interjer istorijai. Kadangi reprezentatyvumo aspektas interjeruose yra vienas i svarbesni konceptuali sieki , tyrimui pasirinktas Steigiamojo Seimo patalp interjeras (1924 m.). Seimo interjero projekte daugiausia d mesio buvo skiriama pos d i sal s rangai ir baldams projektuoti. Straipsnyje nagrin jama, kaip architekto atkurtos ir kūrybi kai perdirbtos praeities stili formos bei tautodail s motyvai s veikauja tarpusavyje, kad būt i reik ta tautin reprezentacija. Aptariant Steigiamojo Seimo interjero projekt pastebima tarpukariu oficialiajai reprezentacijai taikytas tautinis stilius, gvildenamos io stiliaus i takos interjero dizaine. Straipsnyje keliama hipotez , kad tautinis stilius buvo visai Europai būdingo XX a. prad ios tarptautinio proceso art nauveau t sinys, o v liau – art deco dalis. Kadangi nagrin jamu laikotarpiu greta tautin s reprezentacijos egzistavo ir kiti reprezentacijos tipai, siekiant juos palyginti straipsnyje pamin ti dar keli tarpukario Lietuvos kultūrin s ir visuomenin s paskirties reprezentaciniai interjerai: Ministr kabinetas ir Vytauto Did iojo muziejus. Straipsnis lietuvi kalba Russian-born painter and architect Vladimir Dubenecky (1888–1932) is well known in Lithuania because of valuable architectural legacy created during his living and working in Kaunas in 1919–1932. The aim of the discussion is to open less known side of V. Dubenecky creative work – public interior design. Until now it is little examined theme, so this article will extend the approach to well-known artist’s architectural works, thereby creating additional material for the history of Lithuanian interiors. Only one part of representativeness aspect is discussed in this article, that is the national representation. The representative interior project of the Constituent Seimas, Parliament, (1924) is chosen for the study because of that. The Parliament’s interior project was focused on the conference room equipment and furniture design. Meanwhile the discussion of the design project is studied how the past architectural styles and folk art had been creatively remade in order to create the new style, which was named a