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Le Musée de la culture juive de Bratislava et les implications postcommunistes de son développement institutionnel The Israeli Philosophy and the War The Museum of Jewish Culture in Bratislava and the Post-communist Implications of its Institutional Development

DOI: 10.4000/yod.682

Keywords: Holocaust , twentieth century , nineteenth century , cultural Diversity , Jews in Slovakia , Bratislava , Slovakia , Museum of Jewish culture , cultural minorities , Oberl nder , Jews of Upper Hungary , Schlossberg , Sofer atam (1762-1839) , diversité culturelle , Juifs de Slovaquie , Musée de la culture juive , minorités culturelles , Oberl nder , Juifs de Haute-Hongrie , Schlossberg , Sofer atam (1762-1839) , Bratislava , Slovaquie , dix-neuvième siècle , vingtième siècle , Shoah , , ,

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Abstract:

The central idea and the purported role which organize the work of a given Jewish museum clearly refer to the issues occupying its surrounding society with the greatest intensity or, alternatively, to the theme that could have the best chance of being digested by that society. Such issues may include the thematization of anti-Semitism or of the Holocaust, or may have a cultural mediating role. To what extent can we find a reflection of the Central-European Jewry’s multi-layered process of self-definition in the work of the Museum of Jewish Culture in Bratislava after 1989? Furthermore, to what extent does this process of self-definition follow the historical image conceived in the consciousness of the surrounding societies? What are the social conditions, the historical precursors and the future perspectives of these self-reflections? These are the questions to which I purport to find an answer in my article.

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