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Olya the Crazy: N. Kononov’s novel The source of mutilation in the mirror of a movieKeywords: N. Kononov , Doppelg nger , semiotics of the mirror Abstract: This article considers the intertextual connection between N. Kononov’s novel The Source of Mutilation and A. Rou’s movie Kingdom of Crooked Mirrors. The author identifies and describes the universal culture-forming Doppelg nger archetypes relevant to both works.
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