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Olya the Crazy: N. Kononov’s novel The source of mutilation in the mirror of a movie

Keywords: N. Kononov , Doppelg nger , semiotics of the mirror

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Abstract:

This article considers the intertextual connection between N. Kononov’s novel The Source of Mutilation and A. Rou’s movie Kingdom of Crooked Mirrors. The author identifies and describes the universal culture-forming Doppelg nger archetypes relevant to both works.

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