DOSTOEVSKY AND THE QUESTION OF THE DOUBLE

The proposal of this article is to approach in Dostoevsky, author strongly marked by the amazing realism and complexity of yours characters that, without exaggeration, developed him as a writer of the human abyss, the question of the double. For this, The Double itself, 1846, will divide the attention with anothers Dostoevsky’s important works that add so much to the discussion. The Dostoevsky’s dramatic face to the dichotomy make possible to approach this issue as a dostoevsky’s motif that bring so much of your literary stile and your own thought, here, remited to the freudian text, The Estrange, 1919.