PERSONAL DIMENSIONS OF THE CRITICISM IN CLASSICAL OTTOMAN POETRY KL S K TüRK R NDE ELE T R N N K SEL BOYUTU

In this study which we tried to answer the question which feelings and the objectives drive the critic poet to criticize rather than what was criticized or why they were criticized. While we are trying to show the criticism in our Classical Ottoman Poetry as a part of the life, we are going to emphasize the personal reasons of the criticism.We need to know that the people whose being described as an “Intellectual” is not wrong cannot stay away from criticizing the defects. For this reason, everything could be the subject of the criticism.While beard, moustache or the hypocrisy of a person sometimes became the subject of criticism, sometimes an administrator’s deficiences and flaws became the subject of criticism. Sometimes, even the minor social degenerations which the masses of people could not realize when they were alive were expressed. That is why the criticism, as we think, was not a remote subject for the Classical Ottoman poets, on the contrary, the criticism was closely related to their lives. Nelerin, ni in ele tirildi inden ziyade, ele tirici airi, hangi duygular ve hangi ama lar ele tiriye sevk eder sorusuna cevap aranan bu al mada, Klasik iirde ele tirinin hayat n bir par as oldu unu, g stermeye al rken daha ok ele tirinin ki isel nedenleri üzerinde durulacakt r. “Ayd n” diye nitelendirilmelerinin yanl olmayaca Klasik airlerin, aksakl klara g zlerini kapayamayacaklar n n bilinmesi gerekir. Bu yüzden, her ey ele tirinin konusu olabilmi tir. Bazen bir ki inin sakal , b y , riyakarl ele tiriye konu olurken bazen bir idarecinin eksik ve kusurlar yüzüne vurulmu , bazen de y nlar n, ya arlarken dikkatlerinden ka an ve fark edebilmeleri ok gü olan toplumsal en kü ük bozukluklar dahi g zden ka may p dillendirilmi tir. Bu yüzden ele tiri, Klasik airlerin, - yle san ld gibi- ok uzaklar nda de il yan ba lar nda, hayatlar n n i indedir.