La ？metamorfosis de la percepción？ y dos de sus exponentes: Walter Benjamin y Dziga Vertov

in the thick of modernity, technological advances produce applications that are introduced into the sphere of art, making any type of human manifestation reproducible thanks to photography and cinema. productions of the theoretician walter benjamin and the film director dziga vertov evidence a concomitant process called ？metamorphosis of perception,？ that speaks about modern man？s new way of seeing the world. both creators explore -one in the epistemological field, the other in cinematography- the possibilities their public has to reflect about the social conditions of production during the first decades of the twentieth century.