All Title Author
Keywords Abstract

Publish in OALib Journal
ISSN: 2333-9721
APC: Only $99
Paper Submission

Why Us? >>
- Open Access
- Peer-reviewed
- Rapid publication
- Lifetime hosting
- Free indexing service
- Free promotion service
- More...
- Search engine friendly

Cahiers élisabéthains

ISSN Print: 0184-7678

ISSN Online: 2054-4715

Website: https://journals.sagepub.com/loi/caea

Share:




Go

Book review: Much Ado About Nothing: A Critical Reader

Dana E Aspinall

Play review: Henry V

Peter J Smith

Play review: The 2018 Stratford, Ontario, Festival Shakespeare Plays: The Tempest, Coriolanus, The Comedy of Errors, Julius Caesar

Cathleen McKague

Play review: Emilia

Nora Galland

Book review: Killing Hercules: Deianira and the Politics of Domestic Violence, from Sophocles to the War on Terror

Charlotte Coffin

Much Ado About Nothing and pain

Maurice Hunt

Book review: The Routledge Research Companion to Shakespeare and Classical Literature

Katherine Heavey

Play review: Macbettu

Pierre Kapitaniak

Play review: Troilus and Cressida

Peter J Smith

The Shadow’s Shadow, or Gendered Ambition in Asta Nielsen’s 1921 Hamlet

Delilah Bermudez Brataas

Play review: The Merry Wives of Windsor

Peter J Smith

Corrigendum: ‘Come, now a roundel and a fairy song’: Shakespeare’s A Midsummer Night’s Dream and the early modern invitation to the dance, 2019

null

Othello’s ‘travels’ history’ illuminated anew: Beyond black and white in Iqbal Khan’s RSC revival (2015)

Susan L Fischer

Play review: Romeo and Juliet

Coen Heijes

Play review: The Changeling

Emily Lathrop

Play review: Measure for Measure

Kaara L Peterson

Book review: Queer Shakespeare: Desire & Sexuality

Nora Galland

Play review: The Utah Shakespeare Festival 2018 Season, ‘Shakespeare and the Other’: The Merry Wives of Windsor, 1 Henry VI, The Merchant of Venice, Othello

David W Hartwig

Play review: Paradise Lost

Dana E Aspinall

Sex, lies, and the handkerchief: Immigration and sexploitation in Catalan Otel·lo (2012)

Inmaculada N Sánchez-García

Play review: Tamburlaine

Peter J Smith

Play review: Othello

Nora Galland

Play review: Antony and Cleopatra

Peter J Smith

Book review: Doing Kyd. Essays on The Spanish Tragedy

Dana E Aspinall

Book review: Homer and Greek Tragedy in Early Modern England’s Theatres, Classical Receptions Journal

Janice Valls-Russell

Writers and readers in early modern Italianate verse narratives

Alice Equestri

Play review: Richard II

Guillaume Foulquie

‘Maymd soldiours or poore schollers’: Warfare and self

Per Sivefors

A new Renaissance in Middleton: Four Canadian productions of The Changeling, 2016–17

Joshua McEvilla

Book review: Hamlet Globe to Globe: Two Years, 190,000 Miles, 197 Countries, One Play

Richard J. Larschan

Shakespeare’s new contemporariness, or Hamlet in the Yugoslav Drama Theatre of the 21st century

Alexandra Portmann

Mariangela Tempera Award for Shakespeare on Screen 2018, 2018

null

Play review: Romeo and Juliet

Janice Valls-Russell,Laetitia Madadi N Warnery,Louise Klee,Pierre Kapitaniak

Book review: Pissing Figures, 1280–2014

Susan Signe Morrison

Play review: Coriolanus

Neil Allan

Book review: Much Ado About Nothing: Language and Writing

Peter J Smith

Play reviews: Julius Caesar

Boika Sokolova

Book review: After Lavinia: A Literary History of Premodern Marriage Diplomacy

Nathalie Rivère de Carles

Play review: Dido, Queen of Carthage

Stephen Longstaffe

Pre

Lois Potter

Coined and counterfeit language in Renaissance England

Brian Cooper Ballentine

Shakespeare and modern Greek politics

Xenia Georgopoulou

Disidentified national subjects and failed Europeans in Nuno Cardoso’s Portuguese Shakespeares

Francesca Rayner

Foreword: On Shakespeare, Europe and its Others

Rui Carvalho Homem

Contemporary Shakespearean direction in Spain: Subsidiary, parallel and post

Juan F Cerdá

Play review: Al

Alan F Hickman

Play review: Summer’s Last Will and Testament

Lucy Munro

Algebra and the art of war: Marlowe’s military mathematics in Tamburlaine 1 and 2

Joseph Jarrett

The Stratford Festival: Degrees of delusion, reversal and revelation

Cathleen McKague

Book review: Shakespeare’s Italy and Italy’s Shakespeare: Place, ‘Race’ and Politics

Nora Galland

Go




©2008-2020 OALib, Inc | Public user content licensed CC-BY 4.0 unless otherwise specified. OALib ISSN Online: 2333-9721 OALib ISSN Print: 2333-9705