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O sert?o dilacerado: outras histórias de Deus e o Diabo na terra do sol

DOI: 10.1590/S0102-64452008000200002

Keywords: the hinterland, nation, brazilian cinema.

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Abstract:

this article tries to understand how one of the most important narratives of the national cinema - glauber rocha's black god, white devil (1963) - has constructed the sert?o (hinterland), which images and figures he has employed, and how that hinterland delineates and projects the country.

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