“Ethnomusicological morphology” is a discipline that studies the external form and internal structure of Chinese ethnomological music, as well as its movement and change law and performance function. It belongs to the basic theory of ethnomological music. The morphology of Chinese Folk music edited by Liu Zhengwei conducts theoretical research on the morphology of Chinese traditional music through special writing methods and methods, which contributes an important force to the study of Chinese folk music. This article will be from the book creation background, book content and structure, book characteristics, book advantages and disadvantages of four aspects of relevant comments.
Cite this paper
Wang, D. (2021). Review of the Book “Morphology of Chinese Folk Music”. Open Access Library Journal, 8, e7757. doi: http://dx.doi.org/10.4236/oalib.1107757.
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Huang, Z. (2013) Paying Close Attention to the Central South Relationship—An Interview with Professor Liu Zhengwei. Journal of Wuhan Conservatory of Music, No. 4, 283-284.
Zhang, W.G. (2010) Looking for the Origin, Tracing the Theory and Inheriting the Gene—Comment on the Morphology of Chinese Folk Music by Mr. Liu Zhengwei. People’s Music, No. 2, 94-96.
