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Un vrai système du monde : conversion et autorité au XIXe siècle

DOI: 10.4000/cerri.973

Keywords: Hugo , Mallarmé , romanticism , literary history , authority , authorship , melancholy , Quinet Conversion , Hugo , Mallarmé , romantisme , histoire littéraire , autorité , mélancolie , Quinet Conversion

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Abstract:

Dans le contexte de la relation, en apparence paradoxale, qu’entretient le XIXe siècle avec la religion, l’article montre comment la conversion fournit un principe esthétique de garantie de l’autorité et de genèse des formes littéraires. The article focuses on the paradoxical relationship that existed between religion, authority and authorship throughout the nineteenth century, to show how, either explicitly or implicitly, the paradigm of conversion provided an aesthetic principle that profoundly molded new forms of authorship as well as a new “philosophy of composition”.

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