桂林渔鼓演唱中的语用策略与表演者身份建构
Linguistic Pragmatics and the Performed Identities in Guilin Yugu Narratives

桂林渔鼓作为广西具有代表性的地方说唱艺术，不仅依托本土方言和通俗语言展现民众生活图景，更在表演过程中彰显出独特的语用特征与身份建构方式。本文立足语用学与社会语言学的理论视角，借助面子理论、礼貌原则及身份表演等研究工具，选取桂林渔鼓的经典唱本与现场演唱语料为分析对象，重点从称谓使用、语气调控、讽刺暗示、互动礼貌等语用维度出发，探讨表演者如何通过策略性的话语运用，在演绎过程中实现多重角色身份的灵活切换与主体形象的建构。
As a representative form of local shuochang (spoken-sung) art in Guangxi, Guilin Yugu not only relies on regional dialects and colloquial language to portray the lived experiences of ordinary people, but also exhibits distinctive pragmatic features and mechanisms of identity construction throughout the performance process. Grounded in theoretical frameworks from pragmatics and sociolinguistics—particularly face theory, politeness principles, and identity performance—this study analyzes classic Guilin Yugu scripts and live performance data. Focusing on pragmatic dimensions such as forms of address, modulation of tone, use of satire and innuendo, and interactive politeness, the paper explores how performers, through strategic language use, achieve flexible shifts among multiple role identities and construct their performative self-image during the act of narration.