日本设计中的感觉资源探析
Research on the Sensory Resources in Japanese Design

本研究以原研哉提出的“感觉资源”概念为出发点，探究日本设计如何以感觉为资源提升设计体验，以及重视感觉背后的文化因素和设计哲学。本文通过设计实例分析，将日本设计师对“感觉资源”的运用总结为三方面，即多重感觉的融合、极致感觉的深入和未知感觉的开拓。这种强调直观感觉和内在体验的设计思维源于日本文化中细腻敏锐的感性智慧，并受到自然风土和传统文化的影响。以感觉为设计驱动力，展现出日本设计鲜明的民族性格和独特的审美意识，对于当今设计师回归个体感觉、在创新中追求美好的设计体验具有重要启发意义。
Taking the concept of “sensory resources” proposed by Kenya Hara as a starting point, this paper explores how Japanese designers use sensory resources to enhance the experience in design, and the cultural factors and design philosophy behind Japanese design’s emphasis on senses. Through the analysis of design examples, the use of “sensory resources” by Japanese designers can be summarized into three aspects, namely, the fusion of multiple senses, the deepening of extreme senses, and the development of unknown senses. This design thinking, which emphasizes intuitive sensation and inner experience, stems from the delicate and sensitive sensual wisdom of Japanese culture, and is influenced by natural terroir and traditional culture. Taking human senses as the driving force of design shows the distinctive national character and unique aesthetic sense of Japanese design, which is of great inspiration for today’s designers to return to their individual senses and pursue a wonderful experience in innovation.