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Design 2024
概念性服装成衣化过程探究
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Abstract:
概念性服装在造型、材质、色彩上区别于成衣设计大胆创新,反映了当今时代艺术设计的前卫性在服装领域的表达。概念性服装长期以来作为品牌成衣设计创新的重要灵感来源,具有前瞻性,对服装设计思维和方法具有明显的影响力和导向性。本文首先通过阐述相关背景及概念,引申出概念性服装的创新要素推动着时尚流行趋势的发展这一观点,进而论证品牌成衣的发展离不开概念性服装的创新引导。其次,本文系统地探究了概念性服装与品牌成衣的异同,结合案例论证商业化诉求作为概念性服装与品牌成衣之间的契合点推动概念性服装成衣化的发展。再者,对概念性服装成衣化案例进行具体分析,从同一品牌同一系列的不同表现形式突出概念性服装成衣化过程。最后,从材料、造型、色彩三方面具体探究概念性服装成衣化过程,使得概念性服装成衣化的设计保持创意性的同时能够更好地贴合大众的日常生活,为当今品牌成衣设计提供一定的参考。
In design, conceptual clothing is different from ready-to-wear in modeling, material and color. The bold innovation of conceptual clothing reflects the avant-garde nature of artistic design in the field of clothing. As an important source of inspiration for brand clothing design innovation, conceptual clothing has a forward-looking impact and guiding role on clothing design thinking. Firstly, the article elaborates on the relevant concepts of conceptual clothing and brand ready to wear, and concludes that brand ready to wear cannot be separated from the positive guidance of conceptual clothing. Secondly, the article systematically explores the similarities and differences between conceptual clothing and branded ready-to-wear, demonstrating that commercial demand serves as the convergence point between conceptual clothing and branded ready to wear, promoting the development of conceptual clothing evolving into ready-to-wear. Furthermore, the article also provides a specific analysis of cases of the transformation between conceptual clothing and branded ready to wear, highlighting the process of transforming conceptual clothing into branded ready to wear from different forms of expression within the same brand and series. Finally, the article explores the evolution of concept clothing into ready-to-wear from three aspects: material modeling and color, so that the ready-to-wear derived from concept clothing is not only creative, but also more suitable for the daily life of the public and provides some reference for the future brand ready-to-wear design.
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