“人”以载衣：探《妇人画报》中的女性身体时尚设计
“People” Carrying Clothes: Exploring the Fashion Design of Female Body in The Woman’s Pictorial

本文以20世纪30年代《妇人画报》杂志为研究对象，旨在探索“人”“衣”关系下女性身体的位置，以及民国时期女性身体时尚的审美特征。通过对《妇人画报》资料的归纳和整理，分析了女性身体时尚的内容，并从中总结概括出女性“正向且积极的健康之美”、“自然且流动的容姿之美”和“修于形且成于心的涵养之美”的身体时尚特征及身体时尚与服饰间的关联性。通过对身体时尚与服饰关系之间的讨论，可以更加深入地探究着衣的身体如何回归自身、关注自身，进一步揭示服装设计中身体的深层意义与存在价值，为当下服装设计的发展提供参考意义。
This article takes The Woman’s Pictorial magazine of the 1930s as the research object, aiming to explore the position of women’s bodies under the relationship between “human” and “clothing”, as well as the aesthetic characteristics of women’s body fashion during the Republic of China period. By summarizing and organizing the content materials of The Woman’s Pictorial, the content of women’s body fashion was analyzed. From this, the body fashion characteristics of women’s “positive and active beauty of health”, “natural and flowing appearance beauty”, and “cultivation beauty of form and mind” were summarized, as well as the correlation between body fashion and clothing. By discussing the relationship between body fashion and clothing, we can delve deeper into how the dressed body returns to itself and pays attention to itself, further revealing the deep meaning and existence value of the body in clothing design, and providing reference significance for the development of current clothing design.