数字绘画在民间神话中的应用探析——以畲族《高皇歌》为例
The Application of Digital Painting in Folk Mythology—A Case Study of “The Song of the King of Pang” of She Nationality

目的：试图解开在传承发展与开发利用畲族民间神话史诗之间的现代视觉表达的密码。方法：基于畲族文化传承和发展困境视角，分析《高皇歌》与视觉化呈现之间的关系，论述数字时代《高皇歌》发展与传承的新途径，研究数字绘画在畲族民间神话史诗《高皇歌》中的应用价值。结论：数字绘画能为畲族《高皇歌》的活性传承提供新的思路，以视觉化的形式传达民族文化的核心价值和内涵，从而增强人们内心深处的民族自豪感和自信感。对智能技术赋能民族文化传播的传承与发展具有参考意义，这也是民族文化的数字化生存和可持续发展的必由之路。
Objective: To attempt to unravel the modern visual expression code between the inheritance, development, and utilization of She ethnic folk myths and epics. Methods: Based on the perspective of the inheritance and development dilemma of She ethnic culture, this paper analyzes the relationship between “The Song of the King of Pang” and visual presentation, discusses new ways of development and inheritance of “The Song of the King of Pang” in the digital era, and studies the application value of digital painting in the She ethnic folk mythological epic “The Song of the King of Pang”. Conclusion: Digital painting can provide new ideas for the active inheritance of the She ethnic group’s “The Song of the King of Pang”, conveying the core values and connotations of national culture in a visual form, thereby enhancing people’s deep sense of na-tional pride and confidence. It has reference significance for the inheritance and development of intelligent technology empowering the dissemination of ethnic culture, which is also the necessary path for the digital survival and sustainable development of ethnic culture.