从电影的“城市性”角度看《雪国列车》中的空间建构
The Construction of Space in Snowpiercer from the Perspective of Cinematic “Urbanity”

本文从电影的“城市性”理论切入分析《雪国列车》这部科幻影片，认为本片通过显现的城市符号和景观以及隐在的空间关系构建了一个火车上的敌托邦城市空间，反映了当代城市和人类社会发展所面临的诸多问题，如不平等、异化、暴力、环境危机等。通过敌托邦空间的建构，电影引发了观众对当前城市和人类社会发展所体现的问题的忧虑与反思，也提出了一些可能的解决方案或出路，如革命、重建、逃离等。本文采用文本分析法，对影片中的火车空间进行了深入的解读，揭示了敌托邦城市空间所蕴含的丰富的象征意义和社会批判力量。总而言之，《雪国列车》是一部具有深刻思想内涵和强烈社会关怀的科幻电影，它通过建构一个火车上的敌托邦城市，展现了对人类命运的反思与救赎。
This paper analyzes Snowpiercer, a science fiction film, from the theory of “urbanity” in cinema, and argues that the film constructs a hostile utopian urban space on the train through visible urban symbols and landscapes as well as hidden spatial relations, which reflects many problems faced by the contemporary city and the development of human society, such as inequality, alienation, vio-lence, environmental crisis, and so on, violence, environmental crisis, etc. Through the construction of the dystopian space, the movie triggers the audience to worry and reflect on the problems em-bodied in the development of the current city and human society, and also proposes some possible solutions or ways out, such as revolution, reconstruction, and escape. This paper adopts the textual analysis method to provide an in-depth interpretation of the train space in the film, revealing the rich symbolic meaning and social critical power contained in the hostile utopian urban space. In conclusion, Snowpiercer is a science fiction movie with profound ideological connotation and strong social concern, which demonstrates the reflection and redemption of human destiny by construct-ing a hostile utopian city on a train.