八破图与野生设计的比较性研究
A Comparative Study of Bapo and Wild Design

八破图是诞生于中国古代的一种特殊的绘画题材，强调将残破化的各种的事物进行错位组合，主要流行于清末民初，具有强烈的时代特征。野生设计风格主张将市井生活融入设计，从而进行对于时代的思考，引发了新的设计潮流。本文通过对八破图与野生设计的艺术学对比，探寻两种艺术形式的共通性与差异性，由此诠释文化环境赋予艺术的丰富内涵。
Bapo is a special painting theme born in ancient China, emphasizing the dislocation and combination of various broken things. It was mainly popular in the late Qing Dynasty and the early Republic of China, and has strong characteristics of the times. The wild design style advocates integrating the life of the city into the design, so as to think about the times and trigger a new design trend. This article explores the similarities and differences between the two art forms through the artistic comparison of bapo and wild design, and thus interprets the rich connotation endowed by the cultural environment to art.