二十世纪以来川北大木偶戏剧目及创作探析
An Analysis of the Drama and Creation of the North Sichuan Giant Puppet since the 20th Century

我国首批非物质文化遗产之一“川北大木偶戏”现存剧目丰富，二十世纪以来至今，在顺应时代发展的探寻过程中形成了“立足于川剧，博采众剧种之长”的独特剧作模式。通过对川北大木偶传统剧目及新创剧目短小精炼、生动丰富、人偶合一等特点的探寻，揭示这一传统地方戏种走向世界的艺术魅力所在，提出川北大木偶戏剧本创作目前所面临的遭受冲击、尚待打磨、资源缺乏等问题，在整理目前已有的应对措施的基础上作出补充和建议。
One of the first batch of intangible cultural heritages in my country, “North Sichuan Giant Puppet” has a rich existing dramas. Since the 20th century to the present, in the process of exploring in line with the development of the times, it has formed a unique play model of “Based on Sichuan Opera, drawing on the strengths of various operas”. Through the exploration of the characteristics of the traditional and newly created puppet plays, which are short and refined, vivid and rich, and the integration of people and puppets, this paper reveals the artistic charm of this traditional local play going to the world. This paper puts forward the problems that the creation of the North Sichuan Gaint Puppet script is currently facing, such as being impacted, yet to be polished, and lack of resources, and makes supplements and suggestions on the basis of sorting out the existing countermeasures.