%0 Journal Article
%T La sculpture africaine dans les ecrits sur l'art d'Andr¨¦ Malraux
%A Zarader
%A Jean-Pierre
%J Alea : Estudos Neolatinos
%D 2011
%I Unversidade Federal do Rio de Janeiro
%R 10.1590/S1517-106X2011000200008
%X what happens with the sacred in our profane world? inspired by the mythical scene in which picasso, at the trocad¨¦ro museum, feels the magic character of the masks, malraux wonders about the agonic relationship between forms and forces. against the common perception which tends to see in the aesthetic a substitute for the sacred - which would lead to a closure in immanence -, perhaps we should, at the same time, refuse the illusion of empathy and affirm the unfinished character of the metamorphosis of fetishes into works of art - incompleteness designed by malraux by the terms of empreinte (imprint) or aura (aura).
%K malraux
%K picasso
%K african sculpture
%K museum.
%U http://www.scielo.br/scielo.php?script=sci_abstract&pid=S1517-106X2011000200008&lng=en&nrm=iso&tlng=en