%0 Journal Article %T Lo sublime y lo impensado en la apuesta vanguardista de Milt¨ªn 1934 de Juan Emar %A V¨¢squez %A Malva Marina %J Aisthesis %D 2011 %I Scientific Electronic Library Online %R 10.4067/S0718-71812011000200012 %X in milt¨ªn 1934 juan emar unfolds two conceptions of sublime, considering this concept as a stereotyped fact, an art for bourgeoisie consumption, kept within a mimetic and naturalistic aesthetics. emar satirizes this type of art as well as the art-critique that was dominant in the country at the time. his avant-garde proposal endorses an aesthetic of the sublime as a denial of the referential effect, which opens to foucault's unforeseen (yet-not-thought). the aesthetic of milt¨ªn 1934 is an attempt of an impossible writing, and an outline for the aesthetics of a fluent unexpected poetic, proposal that emar will fully develop in his posthumous work, umbral. %K juan emar %K sublime %K avant-garde %K aesthetic %K unforeseen %K milt¨ªn 1934. %U http://www.scielo.cl/scielo.php?script=sci_abstract&pid=S0718-71812011000200012&lng=en&nrm=iso&tlng=en