%0 Journal Article
%T Lo sublime y lo impensado en la apuesta vanguardista de Milt¨ªn 1934 de Juan Emar
%A V¨¢squez
%A Malva Marina
%J Aisthesis
%D 2011
%I Scientific Electronic Library Online
%R 10.4067/S0718-71812011000200012
%X in milt¨ªn 1934 juan emar unfolds two conceptions of sublime, considering this concept as a stereotyped fact, an art for bourgeoisie consumption, kept within a mimetic and naturalistic aesthetics. emar satirizes this type of art as well as the art-critique that was dominant in the country at the time. his avant-garde proposal endorses an aesthetic of the sublime as a denial of the referential effect, which opens to foucault's unforeseen (yet-not-thought). the aesthetic of milt¨ªn 1934 is an attempt of an impossible writing, and an outline for the aesthetics of a fluent unexpected poetic, proposal that emar will fully develop in his posthumous work, umbral.
%K juan emar
%K sublime
%K avant-garde
%K aesthetic
%K unforeseen
%K milt¨ªn 1934.
%U http://www.scielo.cl/scielo.php?script=sci_abstract&pid=S0718-71812011000200012&lng=en&nrm=iso&tlng=en