%0 Journal Article
%T "Parei na contram£¿o": faixas cruzadas na inven£¿£¿o da MPB
%A Neder
%A ¨¢lvaro
%J Estudos Hist¨®ricos (Rio de Janeiro)
%D 2012
%I Centro de Pesquisa e Documenta??o de Hist¨®ria Contempor?nea do Brasil da Funda??o Get¨²lio Vargas
%R 10.1590/S0103-21862012000100005
%X in the studies about 1960's mpb, a hegemonic narrative was established, according to which mpb was a reactionary movement instituted "from above", while tropic¨¢lia is idealized as the apex of musical evolution. identifying in this narrative problems like evolutionism and the ideology of national identity, this essay proposes a revision of the history of the period through the historic and ethnographic methods, using document analysis, interviews, and ethno/musicological song analysis. the conclusion is that popular participation was important to mpb, a contradictory terrain that produced complex identities, and put into question the mestizo ideology and patriarchal domination.
%K mpb
%K tropic¨¢lia
%K 1960.
%U http://www.scielo.br/scielo.php?script=sci_abstract&pid=S0103-21862012000100005&lng=en&nrm=iso&tlng=en