%0 Journal Article
%T Danza: escenario de construcci¨®n y proyecci¨®n humana
%A Barbosa-Cardona
%A Paula Tatiana
%A Murcia-Pe£¿a
%A Napole¨®n
%J Educaci¨®n y Educadores
%D 2012
%I Universidad de La Sabana
%X the results of a study done with dancers from the city of manizales are presented in this article. the objective of the study was to discover the sense or meaning of corporeality/motor skills in dance and it is relationship to the community. the project was based on the complementary approach put forth by murcia and jaramillo, backed by schutz's social-hermeneutic phenomenology and social imaginaries as support theory. the design featured three stages. the first involved an approach to reality, which is defined as a scheme of social intelligibility; the second defined the plan for gathering information and delving into each of the categories of the scheme, using the actors themselves as the crux; while the third focused on constructing the sense or meaning through triangulation of the information. the results highlight the fact that dance articulates the corporeality/motor skill technique in a symphony of recognition of others and oneself.
%K social study
%K dance
%K human behavior
%K corporal expression
%K teaching dance.
%U http://www.scielo.org.co/scielo.php?script=sci_abstract&pid=S0123-12942012000200003&lng=en&nrm=iso&tlng=en