%0 Journal Article
%T 《无姓之人》叙事策略的德里达式解构
The Derrida-Style Deconstruction of the Narrative Strategy in Mr. Nobody
%A 张小欢
%J Art Research Letters
%P 113-117
%@ 2326-3482
%D 2025
%I Hans Publishing
%R 10.12677/arl.2025.142019
%X 雅克·德里达基于对结构主义的批判，提出了解构主义，强调对结构的反叛和消解，主张无中心论、意义的不确定性延异及播撒等概念，本文立足德里达的解构主义理论，从时间结构、空间结构和主题意义三个角度展开对电影《无姓之人》的分析，将解构主义文学批评理论运用于电影文本的研究之中。
Based on his criticism of structuralism, Jacques Derrida proposed deconstructionism, emphasizing rebellion against and dismantling of structures, and advocating concepts such as decentering, the indeterminacy of meaning, differance, and dissemination. This article draws on Derrida’s deconstructionist theory to analyze the film Mr. Nobody from three perspectives: temporal structure, spatial structure, and thematic meaning, applying deconstructionist literary criticism to the study of cinematic texts.
%K 多维时空，
%K 德里达，
%K 解构主义，
%K 主题多元，
%K 《无姓之人》
Multidimensional Spacetime
%K Derrida
%K Deconstructionism
%K Thematic Diversity
%K Mr. Nobody
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=113682