%0 Journal Article
%T 浅析俄文电影《命运的捉弄》字幕翻译
A Brief Analysis of the Subtitle Translation of the Russian Film “The Irony of Fate”
%A 何红艳
%J Modern Linguistics
%P 409-415
%@ 2330-1716
%D 2025
%I Hans Publishing
%R 10.12677/ml.2025.132175
%X 电影作为一种新兴的叙事艺术，不仅让观众在观影过程中享受到视觉盛宴，还能直观地体验到电影所蕴含的文化精髓。在全球化的大背景下，俄罗斯电影在不同文化国家间的交流与沟通中扮演着不可或缺的角色。随着越来越多的俄罗斯电影进入中国市场，对俄文电影字幕翻译的需求也随之增长。本文以电影《命运的捉弄》为研究对象，以纽马克翻译理论为指导，旨在梳理电影字幕翻译中常见的技巧与方法，以期为俄汉影视字幕翻译领域的研究提供参考与启示。
Film, as a new narrative art form, not only allows audiences to enjoy a visual feast during the viewing process, but also enables them to experience the cultural essence of the film in a direct and intuitive way. In the context of globalization, Russian films play an indispensable role in the exchange and communication between different cultures. With more and more Russian films entering the Chinese market, the demand for Russian film subtitles translation has also increased. Taking the film “The Irony of Fate” as the research object and guided by Newmark’s translation theory, this paper aims to sort out the common techniques and methods in film subtitle translation, in order to provide reference and inspiration for the research in the field of Russian-Chinese film subtitles translation.
%K 俄文电影，
%K 字幕翻译，
%K 《命运的捉弄》，
%K 纽马克翻译理论
Russian Films
%K Subtitles Translation
%K “
%K The Irony of Fate”
%K Newmark’
%K s Translation Theory
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=107724