%0 Journal Article
%T 《小城之春》(1948)的审美意象生成
The Generation of Aesthetic Imagery in “Spring in a Small Town” (1948)
%A 周娜
%A 刘婧怡
%A 卓启凡
%J Journalism and Communications
%P 97-100
%@ 2330-4774
%D 2025
%I Hans Publishing
%R 10.12677/jc.2025.131015
%X 审美意象指的是天地万物的形象与主体的心境融合而成的具体形象。从“观物取象”到“比兴思维”再到“情感融合”，审美意象生成的心理过程是动态的。费穆执导的《小城之春》中运用了“城墙”的隔离、“春”的内涵、“窗”的表达等意象，不仅再现了审美意象生成的心理过程，还构造了中国古典美学的诗意境界。
Aesthetic imagery refers to the concrete image formed by the fusion of the images of all things in heaven and earth with the subject’s state of mind. The psychological process of aesthetic image generation is dynamic, from “observing objects and taking images” to “comparing thoughts” and then to “emotional fusion”. The film “Spring in a Small Town” directed by Fei Mu uses imagery such as the isolation of “city walls”, the connotation of “spring”, and the expression of “windows”. It not only reproduces the psychological process of aesthetic imagery generation, but also constructs the poetic realm of classical Chinese aesthetics.
%K 审美意象，
%K 观物取象，
%K 比兴思维，
%K 情感融合
Aesthetic Imagery
%K Observing Objects and Taking Images
%K Comparison of Ideas and Emotions
%K Fusion of Thoughts and Emotions
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=105676