%0 Journal Article
%T 民族文化视角下新型文化集成艺术空间生成——以蒙古族传统图案及织物文化馆设计为例
The Emergence of New Integrated Cultural Art Spaces from the Perspective of National Culture—Taking the Design of the Mongolian Traditional Pattern and Textile Culture Museum as an Example
%A 张喆
%J Design
%P 1438-1448
%@ ****-****
%D 2024
%I Hans Publishing
%R 10.12677/design.2024.96817
%X 随着社会进步，传统展览空间已无法满足人们日益增长的文化需求，新型文化集成艺术空间因此兴起。这些空间以数字化、动态化、便捷化和多感官体验为特点，提供更智能化、互动性强的观展体验。本文探讨了这种空间的概念、类型、特性，并以“守纹承源、牧野生息”为例，分析了传统艺术空间向新型空间转变的过程及其价值。新型文化集成艺术空间为我们带来了更开放、新奇的体验，提升了精神文明，但也存在不足，需要我们以辩证视角和创新设计手法，不断探索和完善。
With societal progress, traditional exhibition spaces can no longer meet the growing cultural needs of people, giving rise to the emergence of new integrated cultural art spaces. These spaces are characterized by digitalization, dynamism, convenience, and multi-sensory experiences, offering more intelligent and interactive exhibition experiences. This article discusses the concepts, types, and characteristics of these spaces, and uses “Guarding the Pattern, Inheriting the Source, and the Rest of the Wild” as an example to analyze the transformation from traditional art spaces to new ones and their value. New integrated cultural art spaces bring us more open and novel experiences, enhancing our spiritual civilization, but they also have shortcomings that need to be explored and improved with a dialectical perspective and innovative design techniques.
%K 新型艺术空间，
%K 文化集成，
%K AI智能，
%K 展陈设计，
%K DIY手作，
%K 独立艺术空间
New Art Spaces
%K Cultural Integration
%K AI Intelligence
%K Exhibition Design
%K DIY Handmade
%K Independent Art Space
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=103913