%0 Journal Article
%T 盛唐礼乐服饰文化符号研究
Cultural Symbolism in Glorious Tang Ritual and Music Costumes
%A 李焱菱
%A 吴建军
%J Design
%P 1311-1320
%@ ****-****
%D 2024
%I Hans Publishing
%R 10.12677/design.2024.96805
%X 盛唐时期的礼乐服饰文化兼收并蓄、精彩纷呈，许多服饰东渡进入日本后流传至今，成为奈良正仓院中的珍贵文物。此研究以正仓院馆藏盛唐礼乐服饰为切入点，依托《正仓院东大寺宝图》和《正仓院的舞乐装束·日本的美术520》等一手资料，结合相关文献与史馆资源，对礼乐服饰的形制和纹样进行系统分类，以探讨其中蕴含的盛唐礼乐典型文化符号，及背后的多元审美观念与情感意象。通过艺术设计的视角，进一步分析盛唐礼乐服饰的文化符号对现代美学与设计理念的影响，揭示盛唐礼乐服饰文化在历史传承中的独特性和延续性。此研究有助于当代深化对传统文化的理解，对我国传统服饰文化的传承与发展具有重要价值，同时为现代文化创意设计提供具有实际意义的应用参考。
The Glorious Tang period’s ritual and music costume culture was vibrant and inclusive. Many garments made their way to Japan and are preserved today as cultural treasures in the Shosoin Repository in Nara. This study focuses on Tang ritual costumes in the Shosoin collection, drawing on primary sources like the Shosoin Todaiji Treasure Map and Shosoin’s Dance and Music Costumes: Japanese Fine Arts 520, along with historical documents and museum resources. By systematically categorizing the forms and patterns of these garments, this study explores their symbolic elements and the aesthetic principles they represent, analyzing their impact on modern aesthetics and design.
%K 盛唐礼乐服饰，
%K 正仓院，
%K 形制，
%K 纹样
Glorious Tang Ritual and Music Costumes
%K Shosoin
%K Forms
%K Patterns
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=103571