%0 Journal Article %T 《四世同堂》中演员情感表达对话剧感染力的提升
The Improvement of the Appeal of Drama by the Emotional Expression of Actors in “Four Generations under One Roof” %A 李嘉欣 %A 王富成 %J Interdisciplinary Science Letters %P 450-455 %@ 2574-416X %D 2024 %I Hans Publishing %R 10.12677/isl.2024.84057 %X 本研究致力于对话剧《四世同堂》进行深度剖析，着重探讨演员情感表达在提升该剧感染力方面的核心作用。依托斯坦尼斯拉夫斯基体系与布莱希特表演理论，细致地分析了演员在舞台上展现的语言、动作、表情等一系列情感表达元素。并结合观众调查与访谈的实证数据以及丰富的演出案例，从多角度深入探究，旨在揭示演员情感表达与话剧感染力之间的内在联系。研究表明，当演员的情感表达达到精准、深刻且层次分明的境界时，话剧的整体感染力会得到显著提升，使观众更加深入地理解剧中人物的内心世界，并增强观众与角色之间的情感共鸣。本文还就演员如何持续提升表演技巧和情感理解能力展开了深入探讨，旨在为演员更好地诠释角色、为话剧的成功演出奠定坚实基础提供指导。
This research endeavors to conduct a thorough analysis of the pivotal role of actors’ emotional expression in enhancing the appeal of the drama “Four Generations under One Roof,” grounded in the theoretical frameworks of Stanislavski’s system and Brecht’s performance theory. Through a detailed examination of emotional expression elements such as actors’ language, actions, and facial expressions on stage, coupled with empirical data from audience surveys and interviews, as well as a plethora of performance cases, the study delves into multiple perspectives to uncover the inherent connection between actors’ emotional expression and the appeal of the drama. The research demonstrates that when actors’ emotional expression reaches a level of precision, depth, and clear hierarchy, it significantly elevates the overall appeal of the drama, enabling the audience to gain a deeper understanding of the inner worlds of the characters and fostering a stronger emotional resonance between the audience and the roles. Furthermore, the article also conducts an in-depth exploration of how actors can continually enhance their performance skills and emotional understanding, aiming to provide guidance for actors to better portray their characters and lay a solid foundation for the successful performance of the drama. %K 《四世同堂》， %K 话剧， %K 演员， %K 情感表达， %K 感染力， %K 斯坦尼斯拉夫斯基体系， %K 布莱希特表演理论
“ %K Four Generations under One Roof” %K Drama %K Actor %K Emotional Expression %K Appeal %K Stanislavski’ %K s System %K Brecht’ %K s Performance Theory %U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=101366