%0 Journal Article %T 《文心雕龙》言意之辨探析
Analysis of the Distinguishing between Words and Meanings in “Wenxin Diaolong” %A 李悦 %J Chinese Traditional Culture %P 829-834 %@ 2332-6824 %D 2024 %I Hans Publishing %R 10.12677/cnc.2024.124127 %X 言意之辨的争论由来已久，早在先秦诸子时期已经初露端倪，至魏晋玄学之际达到了高潮。本文主要从三个方面对《文心雕龙》言意之辨进行论述：一是关于言意之辨思想渊源和发展脉络的论述；二是关于“言”“意”二字的基本内涵以及言意二者之间的表达、转化问题的论述；三是关于言意之辨所蕴含的价值意义的论述。综观《文心雕龙》可知，刘勰关于言意关系之独创性见于其灵活而实事求是的态度，其既非“言能尽意”之绝对论者，也非“言不尽意”之绝对论者，而是积极寻找弥合“言尽意”论和“言不尽意”论裂隙的方法和原则，试图经由言能尽意的描摹进入言不尽意更高层次的审美境界——言有尽而意无穷。因此，《文心雕龙》完成了“言意之辨”的玄学命题向美学命题的过渡。
The debate on the distinction between words and meanings has a long history, which began to emerge as early as the period of the pre Qin philosophers and reached its climax during the period of Wei Jin metaphysics. This article mainly discusses the distinction between language and meaning in “Wenxin Diaolong” from three aspects: Firstly, the discussion on the ideological origins and development of the distinction between language and meaning; the second is a discussion on the basic connotations of the words “speech” and “meaning”, as well as the expression and transformation between the two; the third is a discussion on the value and significance contained in the distinction between language and meaning. From a comprehensive review of “Wenxin Diaolong”, it can be seen that Liu Xie’s originality in the relationship between language and meaning is reflected in his flexible and pragmatic attitude. He is neither an absolute theory of “language can fully express meaning” nor an absolute theory of “language cannot fully express meaning”, but actively seeks methods and principles to bridge the gap between the “language can fully express meaning” theory and the “language cannot fully express meaning” theory, attempting to enter a higher level of aesthetic realm through the description of “language can fully express meaning”—where language is complete and meaning is infinite. Therefore, “Wenxin Diaolong” completed the transition from the metaphysical proposition of “distinguishing words and meanings” to the aesthetic proposition. %K 言意之辨， %K 言尽意， %K 意不尽意， %K 《文心雕龙》
Distinction between Language and Meaning %K Express One’ %K s Meaning in Words %K Incomplete Meaning %K “ %K Wenxin Diaolong” %U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=94810