%0 Journal Article
%T 《曲水八音》雕塑——多重二元性的当代解构<br>Sculpture of <i>Qu</i><i> </i><i>Shui</i><i> </i><i>Ba</i><i> Yin</i>—Contemporary Deconstruction of Multiple Duality
%A 陈铂拉
%A 代福平
%J Design
%P 59-67
%@ ****-****
%D 2024
%I Hans Publishing
%R 10.12677/design.2024.93287
%X 当今艺术创作存在传统文化与当代艺术间的鸿沟，其本质源于个人与群体审美的隔阂，以及时代文化的变迁。基于对太湖石与文人审美的高度理解，《曲水八音》雕塑的创作从多重二元性的角度切入，进行极富当代性的实践与探讨，在深层维度上结合传统文化与当代艺术。其多重二元性，着重体现于时空二元性与天人二元性。其思想内涵的实践意义，在于重塑个人创作与时代审美的联系，构建新的艺术创作与评价体系。<br />
Nowadays, there has been an existence of a gap between traditional culture and contemporary art in artistic creation. Its essence stems from the gap between individual and group aesthetics, as well as the cultural changes of the era. Based on the superior understanding of Taihu stones and literati aesthetics, the creation of the sculpture Qu Shui Eight Yin is a highly contemporary practice and discussion from the perspective of multiple duality, combining traditional culture and contemporary art in a profound way. Its multiple duality is mainly embodied in the duality of time and space and the duality of heaven and man. The practical significance of its ideological connotation lies in reshaping the connection between individual creation and the aesthetics of the era, and constructing a new artistic creation and evaluation system.
%K 雕塑，传统文化，当代艺术，二元性，解构<br>Sculpture
%K Traditional Culture
%K Contemporary Art
%K Duality
%K Deconstruction
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=88787