%0 Journal Article
%T 电影《瀑布》的色彩设计：叙事与抒情的色彩语言<br>Color Design for the Movie The Falls: Narrative and Lyrical Color Language
%A 曾梦婷
%A 任利民
%J Design
%P 657-662
%@ ****-****
%D 2024
%I Hans Publishing
%R 10.12677/Design.2024.91079
%X 电影中的色彩作为一种视觉语言，往往还具备一定的言外之意。在当代电影艺术中，色彩的表现功能更趋成熟，电影色彩参与叙事，有了特定的内涵与隐喻。本文以台湾导演钟孟宏的电影《瀑布》中的“蓝色”为例，从色彩设计与电影情感象征、意境氛围渲染、塑造人物形象、深化影片主旨四个方面探究电影色彩设计的作用。<br />
The color in movies, as a visual language, often has certain implicit meanings. In contemporary film art, the expressive function of color has become more mature. Film colors participate in narratives and have specific connotations and metaphors. This article takes “blue” in the film The Falls directed by Taiwan’s Chung Mong-Hong as an example to explore the role of film color design from four aspects: color design and film emotional symbolism, artistic conception and atmosphere rendering, character creation, and deepening of the film’s theme.
%K 电影色彩设计，《瀑布》，蓝色<br>Movie Color Design
%K The Falls
%K Blue
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=81033