%0 Journal Article
%T 德勒兹影像本体论证<br>Deleuze Image Ontology Argument
%A 王相辉
%J Art Research Letters
%P 393-403
%@ 2326-3482
%D 2023
%I Hans Publishing
%R 10.12677/ARL.2023.124065
%X 从德勒兹关于哲学本体论的观点出发可以总结出“本体”的五个特质，尽管德勒兹指出过“一切皆影像”，但他从未在“本体”和影像之间建立直接的联系，也从未说过影像是电影的本体，更没有指出过影像就是“本体”，然而，不少从业者事实上已经把影像当作了德勒兹的(电影)本体，不过，在德勒兹这里，“影像 = (电影的)本体”的命题却是从来没有得到过证明的，如果我们能够证明影像与“本体”的五个特质相符的话，那么，我们可以说“影像 = (电影的)本体”这个命题在德勒兹这里是成立的，事实证明，这个命题确实是一个肯定性命题。<br />
Starting from Deleuze’s viewpoint on philosophical ontology, five characteristics of “ontology” can be summarized. Although Deleuze pointed out that “everything is image”, he has never established a direct connection between “ontology” and image, nor has he said that image is the ontology of cine-ma, let alone pointed out that image is the ontology. However, many practitioners have actually re-garded image as Deleuze’s (cinema) ontology, Here in Deleuze, the proposition of “image = (cinema) ontology” has never been proven. If we can prove that image matches the five characteristics of “ontology”, then we can say that the proposition of “image = (cinema) ontology” is true here in Deleuze, and it has been proven that this proposition is indeed an affirmative proposition.
%K 影像，本体，电影，德勒兹<br>Image
%K Ontology
%K Cinema
%K Deleuze
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=75660